Artificial intelligence does not understand the magic of creativity



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Artificial intelligence does not understand the magic of creativity

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It is good for the writers to know the processes of neural networks At this stage, artificial intelligence cannot cope with the resolution of the magic of a work, says Alexander Popov from the Institute of Information and Communication Technology of the Bulgarian Academy of Science.

At the intersection of three disciplines – linguistics, literature and mathematics – there is magic, creating the world, assured Aleksandar Popov from the Institute of Information and Communication Technology of the Bulgarian Academy of Sciences, who chose an interdisciplinary discipline for his lecture at the “Acesa Conference: Practical Magic” this Saturday at the Inter Expo Center – Sofia.

The recipe of the creation of the world, according to Alexander Popov – a science fiction teacher at the University of Sofia and editor of the fantastic ShadowDance magazine – requires the following components: The objects – they can be magical, abstract, conceptual, real, fictional, etc. is the skeleton of “mythology” that we need .

The objects give us the spatial orientation of the world; Events – show us how objects change over time; Magic – not in a supernatural sense, but as a “glue” for the sum of events; The magic makes everything work.

An example is given by neural networks – in the last ten years it has flourished in the development of artificial intelligence. Diversity in neural networks is great and is used to solve different tasks, creating worlds. “Of course, artificial neural networks are much simpler than those in the real world.

While the brain contains more than 100 billion neurons, and each neuron generates up to 10,000 connections, artificial neural networks are much smaller, and are lists of vector-to-numbers, layer relationships and transformation of the data, “said Alexander Popov.”

In the creation of worlds in books, for example, writers need inspiration and intuition, and for readers – imagination and atmosphere, Popov said. In literary work, style and content are particularly important and there is no real “Style does not just mean a nice phrase, but also relies on how objects are distributed in your world,” Popov explained.

Artificial neural networks are much simpler than those in the real world,” said Alexander Popov. The content can be exhaustive or not The writer reconstructs everything, and the reader must be able to “imagine” the world of the author, if so, then the author did his job. he lives his own life, he is very important, but he is sufficiently coherent and stable.

“The writer is both an author and a reader of his own text, and the process of coding and decoding work in parallel.” The author continually enters various places on the network, creating – continually jumping from one part of the autocentric to another – and the writer knows well the processes of neural networks, “Popov said.

He also discovered some basic principles in creating books, such as “Show, Do not Speak” – as you speak less, it can be renewed more; this is the principle of the AP Chekhov; The principle of an iceberg – only 1/8 iceberg is visible and the reader must be able to finish the remaining 7/8 work; This is Ernest Hemingway’s theory.

In conclusion, Popov quotes Stephen King: “The books are unique, transfer magic.” Every enlightened reader can distinguish the works of Tolkien, George Martin or George Lucas, but artificial intelligence at this stage can not cope with solving the magic of the work.

Artificial intelligence does not understand the magic of creativity



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